The Cutting Room is a small, hands-on cohort. You bring one real project and level it up with the exact AI system I use on client work — the way a real editor uses it, to sharpen your craft, not replace it. You leave with a finished piece that's yours, and a system you can run again.
You can feel it. The tools are exploding, everyone's talking about AI, and you're either drowning in tutorials or quietly worried it's passing you by. Or you can already edit — you just can't figure out how to turn it into income.
I've been there. Mostly self-taught, twenty years in, folding AI into real paid work every week. And what I've learned is simple: watching one more thing won't move you. Someone sitting next to you — on your actual project, pulling you forward faster than you could alone — will.
The tools are the easy part. Taste is the whole game — knowing what'll actually make someone feel something. That's what these few weeks are really about.
Over about three weeks, you take one real project from a blank page to a finished piece — using the exact suite I run on client work: Claude, Google Flow, Suno, Adobe, AI voiceover, and more, all working together as one.
This isn't toy output. It's client-grade craft: the AI does the heavy lifting, your taste makes it yours, and I'm in your corner the whole way.
It's not a prompting course, and it's not a tool tour. It's a working system — put in your hands, on your own project.
The first two land close together to get you moving. Then the gaps widen — roughly 2, then 5, then 7 days — so you've got real time to build. And between every session, real back-and-forth on your actual work, so the momentum never drops.
I walk you through the entire system on real work — start to finish — so you see how the whole thing fits together. Then we lock in the project you'll each carry, and I put the full set of tools in your hands.
Now you build. We run the full chain end to end on a real piece — Claude, Flow, Suno and Adobe in one flow — then put your own rough cuts on the hot seat. Depth, not a tutorial.
Now we pull it back toward you. Take the AI edge off — grain, grade, sound, restraint — and keep your own voice in it.
The honest talk about pricing, positioning, and charging what you're worth. The payoff — real, and often the difference-maker.
Every session is at 4 PM Eastern and runs one to two hours — it's live and hands-on, so I stay as long as the group needs; block up to two hours to be safe. All recorded, so you're covered if you miss one. (Israel time shifts an hour mid-run; Eastern stays put.)
Dates for the second cohort — check your calendar before you reach out. Seats are limited.
You know Premiere at a base level and you're ready for more. You want AI fluency and work that actually looks good.
You can already make things — but turning it into paid work has never quite clicked. This is the bridge.
You're working, but you want to move faster and charge more. This gets you onto a new playing field.
It's not for total beginners who've never edited, or anyone who wants to watch instead of do. The pace is intense on purpose — it rewards people who show up and put the hours in.
The first cohort was just two students. Both walked in unsure they could make anything at all — and both walked out with finished work they were proud of. One's already been paid for several jobs and is building toward a steady income; the other used it to land her dream job.
Every penny spent was a penny worth spending. Two weeks ago I thought I wouldn't be able to create anything — now I have something beautiful. I felt you were very invested in me.
This is beyond cool, and I'm having a lot of fun. It's really crazy — incredible what you can create in so little time. I can't wait for the next session.
One honest note before you join: this only works if you can give it the hours over these few weeks. The gaps are built for exactly that. If your days are already full right now, wait for a cohort when they're not — you'll get far more out of it.
I've spent close to twenty years in video, motion and editing — mostly self-taught — building brand films, campaigns and music videos for clients across the US, Israel and beyond. These days I fold AI into that work every single week.
I write The Cutting Corner, the honest version of this craft, and I run this cohort myself — small, because the whole point is that I'm actually in it with you.
This is my answer to the question I get asked constantly: "How do I actually use AI to make better work — and get paid for it?"
Ready to stop watching and start shipping? Reach out — we'll hop on a quick 15-minute call to make sure it's a fit and sort out dates. No forms, no hoops. Just a conversation.